| Wednesday 23 August 2017 | Location and Programme | ||
| 08:00 – 09:00 | Registration and Refreshments | Foyer (People’s Palace) | |
| 09:00 – 09:15 | Welcome | Skeel Lecture Theatre (People’s Palace) | |
| 09:15 – 10:05 | Andy Farnell: “New Sounds – War stories from the Avant-garde and how to join the resistance” | Skeel Lecture Theatre (People’s Palace) – Please see Keynote page for further details. | |
| 10:05 – 10:20 | Coffee break | Foyer (People’s Palace) | |
| 10:20 – 12:00 | Oral session #1 – Augmented Musical Instruments and Computational Creativity | Skeel Lecture Theatre (People’s Palace) – Chair: Mark Grimshaw | |
| 10:20 – 10:45 | The Hyper-Mandolin – Luca Turchet | ||
| 10:45 – 11:10 | Sound and Interaction Design of an Augmented Drum System – Jeff Gregorio, Peter English and Youngmoo Kim | ||
| 11:10 – 11:35 | Designing Computationally Creative Musical Performance Systems – Callum Goddard, Mathieu Barthet and Geraint Wiggins | ||
| 11:35 – 12:00 | Deep Models for Ensemble Touch-Screen Improvisation – Charles Martin, Kai Olav Ellefsen and Jim Torresen | ||
| 12:00 – 12:15 | Poster & Demo Craze #1 – Augmentation, Personalisation, Expressive Music Performance and Interactive Art | Skeel Lecture Theatre (People’s Palace) – Chair: Johan Pauwels | |
| 12:15 – 13:20 | Lunch – Joint lunch with WAC’17 | Octagon (Queen’s Building) | |
| 13:20 – 15:00 | Poster & Demo session #1 – Augmentation, Personalisation, Expressive Music Performance and Interactive Art | Foyer and Galleries (People’s Palace) and Harold Pinter Theatre (ArtsOne Building – Chairs: Johan Pauwels and Fabio Morreale | |
| Poster | Mood Visualiser: Augmented Music Visualisation Gauging Audience Arousal – Anand Subramaniam and Mathieu Barthet | ||
| Poster | Metronome Music Time Capsule: rematerialising music consumption and exchange – Rishi Shukla and Rebecca Stewart | ||
| Poster | Walking Phrases: Modeling the Walker’s Context for Sonic Interaction Design – Nassrin Hajinejad, Licinio Roque and Barbara Grüter | ||
| Poster | Augmenting Drama: A Speech Emotion – Controlled Stage Lighting Framework – Nikos Vryzas, Aikaterini Liatsou, Rigas Kotsakis, Charalampos Dimoulas and George Kalliris | ||
| Poster | Recognition of Piano Pedalling Techniques Using Gesture Data – Beici Liang, György Fazekas and Mark Sandler | ||
| Poster | “More cowbell”: Measuring Beat Consistency with respect to Tempo and Metronome Variations – Steffan Owens and Stuart Cunningham | ||
| Poster | IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations – Dorien Herremans, Simin Yang, Ching-Hua Chuan, Mathieu Barthet and Elaine Chew | ||
| Demo | Mixed Reality MIDI Keyboard Demonstration – John Desnoyers-Stewart, David Gerhard and Megan Smith | ||
| Demo | Sound Happening: A Playful Music-Making Installation – Brian Magerko, Dan Singer, Agneya Kerure, Pedro Arevalo and Josh Moore | ||
| Demo | If These Walls Could Speak: Tangible Memories – Matthew Mosher | ||
| Demo | Zound: an interactive Live Electronics – Danilo Randazzo and Giovanni Cospito | ||
| 15:00 – 16:40 | Oral session #2 – Humanisation of Synthesis | Skeel Lecture Theatre (People’s Palace – Chair: George Kalliris | |
| 15:00 – 15:25 |
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| 15:25 – 15:50 | Physically Derived Sound Synthesis Model of a Propeller – Rod Selfridge, David Moffat and Joshua Reiss | ||
| 15:50 – 16:15 | Perception of Paralinguistic Traits in Synthesized Voices – Alice Baird, Stina Hasse Jørgensen, Emilia Parada-Cabaleiro, Simone Hantke, Nicholas Cummins and Björn Schuller | ||
| 16:15 – 16:40 | Simulating Auditory Hallucinations in a Video Game: Three Prototype Mechanisms – Jonathan Weinel and Stuart Cunningham | ||
| 16:40 – 16:55 | Coffee break | Foyer (People’s Palace) | |
| 16:55 – 17:45 | Oral session # 3 – Augmented Performance (Special Session Part I) | Skeel Lecture Theatre (People’s Palace) – Chair: Mathieu Barthet | |
| 16:55 – 17:20 | Biosignal Augmented Embodied Performance – Rikard Lindell and Tomas Kumlin | ||
| 17:20 – 17:45 | Structured interaction in the SoundThimble real-time gesture sonification framework – Grigore Burloiu, Stefan Damian, Valentin Mihai and Bogdan Golumbeanu | ||
| 17:45-18:00 | Gathering at meeting point to go to music venue | Meeting Point in Foyer (People’s Palace) | |
| 19:00-23:00 | Web Audio Mostly Concert | 93 Feet East, Brick Ln, Shoreditch, London E1 6QL [map] | |
| Plurality Spring – Simon Hutchinson and Paul Turowski | |||
| Human-Robot Improvisation: Cyther – Scott Barton | |||
| Stockholm, 7th of April 2017 – Luca Turchet | |||
| Frabjous Day – Charlie Roberts (Web Audio Conference) | |||
| Live JS – Matt McKegg, Martin Schuhfuss, Tim Pietrusky (Web Audio Conference) | |||
| Improvisation – Franziska Schroeder and Chris Chafe (Web Audio Conference) | |||
| DJ session | |||
| Thursday 24 August 2017 | |||
| 08:00 – 09:00 | Registration and Refreshments | Foyer (People’s Palace) | |
| 09:00 – 10:15 | Oral session #4 – Education & Accessibility | Skeel Lecture Theatre (People’s Palace) – Chair: Stuart Cunningham | |
| 09:00 – 09:25 | Exploring Computational Music Thinking in a Workshop Setting with Primary and Secondary School Children – Daniel Hug, Serge Petralito, Sarah Hauser, Anna Lamprou, Alexander Repenning, Didier Bertschinger, Nadine Stüber and Markus Cslovjecsek | ||
| 09:25 – 09:50 | The Frailty of Formal Education: Visual Paradigms and Music Creation – Antonio Pošćić and Gordan Kreković | ||
| 09:50 – 10:15 | Creating Space for Facilitated Music Performance – Amy Dickens, Chris Greenhalgh and Boriana Koleva | ||
| 10:15 – 10:30 | Coffee break | Foyer (People’s Palace) | |
| 10:30 – 12:10 | Oral session #5 – Participatory Performance (Special Session Part II) | Skeel Lecture Theatre (People’s Palace) – Chair: Mathieu Barthet | |
| 10:30 – 10:55 | Turn-Taking and Chatting in Collaborative Music Live Coding – Anna Xambó, Pratik Shah, Gerard Roma, Jason Freeman and Brian Magerko | ||
| 10:55 – 11:20 | Open Band: A Platform for Collective Sound Dialogues – Ariane Stolfi, Mathieu Barthet, Fabio Goródscy and Antonio D. Carvalho Jr | ||
| 11:20 – 11:45 | Handwaving: Gesture Recognition for Participatory Mobile Music – Gerard Roma, Anna Xambó and Jason Freeman | ||
| 11:45 – 12:10 | Hear-Here – August Black | ||
| 12:10 – 12:25 | Poster & Demo Craze #2 – Augmented/Virtual Reality, Perception and Soundscape Studies | Skeel Lecture Theatre (People’s Palace) – Chair: Fabio Morreale | |
| 12:25 – 13:30 | Lunch | Foyer (People’s Palace) | |
| 13:30 – 14:20 | Rebecca Fiebrink: “How can machine learning support human musical practices?” |
Skeel Lecture Theatre (People’s Palace) – Please see Keynote page for further details. | |
| 14:20 – 16:00 | Poster & Demo session #2 incl. Refreshments – Augmented/Virtual Reality, Perception and Soundscape Studies | Foyer and Galleries (People’s Palace) and Harold Pinter Theatre (ArtsOne Building) – Chairs: Johan Pauwels and Fabio Morreale | |
| Poster | Distance in audio for VR: constraints and opportunities – Angela McArthur, Mark Sandler and Rebecca Stewart | ||
| Poster | The Role of Live Visuals in Audience Understanding of Electronic Music Performances – Nuno N. Correia, Deborah Castro and Atau Tanaka | ||
| Poster | Potential of Application of Psychoacoustics to User/Product Interaction Design – Rosana Sanz and Eduardo Manchado | ||
| Poster | Composing The Good Ship Hibernia and the Hole in the Bottom of the World – Stephen Roddy | ||
| Poster | Mapping Media and Meaning: Autoethnography as an approach to designing personal heritage soundscapes – Alan Chamberlain, Mads Bødker and Konstantinos Papangelis | ||
| Demo | Media Device Orchestration for Immersive Spatial Audio Reproduction – Jon Francombe, Andreas Franck, Richard Hughes, James Woodcock, Frank Melchior, Chris Pike, Russell Mason, Philip Jackson and Tim Brookes | ||
| Demo | EVERTims: Open source framework for real-time auralization in VR – David Poirier-Quinot, Brian Katz and Markus Noisternig | ||
| Demo | Large-Scale Interaction with a Sound Installation as a Design Tool – Kjetil Falkenberg Hansen, Ricardo Atienza and Martin Ljungdahl Eriksson | ||
| Demo | Aural Fabric: an interactive textile sonic map – Alessia Milo and Josh Reiss | ||
| Demo | A Network of Noise: Designing with a Decade of Data to Sonify JANET – Iain Emsley, Alan Chamberlain and David De Roure | ||
| Demo | Journey into the World of Dimensions for Electronic Music and VR – Yi-Cheng Lin | ||
| 16:00 – 17:15 | Oral session #6 – Multitrack Audio and Visualisation | Skeel Lecture Theatre (People’s Palace) – Chair: Bryan Pardo | |
| 16:00 – 16:25 | Embedded Multichannel Linux Audiosystem for Musical Applications – Henrik Langer and Robert Manzke | ||
| 16:25 – 16:50 | HaptEQ: A Collaborative Tool For Visually Impaired Audio Producers – Aaron Karp and Bryan Pardo | ||
| 16:50 – 17:15 | User Requirements for Live Sound Visualization System Using Multitrack Audio – Ireti Olowe, Mathieu Barthet and Mick Grierson | ||
| 17:15 – 17:30 | Gathering at meeting point to go to gala dinner | Meeting Point in Foyer (People’s Palace) | |
| 18:30 – 18:45 | Embark at Tower Pier (Tower Millennium Pier, Lower Thames St, London EC3N 4DT) [map] | You must be at Tower Pier by 18:30 at the latest to embark on the boat. Those who are late will miss the gala dinner. The boat will leave the pier at 18:45. | |
| 18:30 – 22:45 | Gala Dinner and Boat Cruise – Boat leaves the pier 15 minutes after 18.30 | ||
| 22:45 – 23:00 | Disembark at Tower Pier (Tower Millennium Pier, Lower Thames St, London EC3N 4DT) [map] | ||
| All day | Fixed Media Listening Experience | Main Music Room (People’s Palace 2nd Floor) – Chairs: Adib Mehrabi and Giacomo Lepri | |
| The Good Ship Hibernia – Stephen Roddy | |||
| Breakpoint – Daniele Pozzi | |||
| 2017 Tweetup – Visda Goudarzi | |||
| Friday 25 August 2017 | |||
| 08:00 – 09:00 | Registration and Refreshments | Foyer (People’s Palace) | |
| 09:00 – 10:15 | Oral session#7 – Adaptive Audio and Soundscape | Skeel Lecture Theatre (People’s Palace) – Chair: Johan Fagerlönn | |
| 09:00 – 09:25 | The Rough Mile: Reframing Location Through Locative Audio – Adrian Hazzard, Jocelyn Spence, Chris Greenhalgh and Sean McGrath | ||
| 09:25 – 09:50 | An Archival Echo: Recalling the public domain through real-time query by vocalisation – Ben White, Adib Mehrabi and Mark Sandler | ||
| 09:50 – 10:15 | Datascaping: Data Sonification as a Narrative Device in Soundscape Composition – Jon Pigrem and Mathieu Barthet | ||
| 10:15 – 10:30 | Coffee break | Foyer (People’s Palace) | |
| 10:30 – 11:45 | Oral session #8 – Sports Augmentation & Health/Safety Monitoring | Skeel Lecture Theatre (People’s Palace) – Chair: Axel Berndt | |
| 10:30 – 10:55 | 2K-Reality: An Acoustic Sports Entertainment Augmentation for Pickup Basketball Play Spaces – Tim Ryan and Jonathan Duckworth | ||
| 10:55 – 11:20 | CardioSounds: Real-time Auditory Assistance for Supporting Cardiac Diagnostic and Monitoring – Andrea Aldana, Steffen Grautoff and Thomas Hermann | ||
| 11:20 – 11:45 | Designing a multimodal warning display for an industrial control room – Johan Fagerlönn, Kristin Hammarberg, Stefan Lindberg, Anna Sirkka and Sofia Larsson | ||
| 11:45 – 12:00 | Poster & Demo Craze #3 – Music in the Cloud, Participation, Sonification and Visualisation | Skeel Lecture Theatre (People’s Palace) – Chairs: Johan Pauwels and Fabio Morreale | |
| 12:00 – 12:15 | QMUL Media and Arts Technology Presentation | Skeel Lecture Theatre (People’s Palace) | |
| 12:15 – 13:20 | Lunch | Foyer (People’s Palace) | |
| 13:20 – 14:40 | Poster & Demo session #3 incl. Refreshments – Music in the Cloud, Participation, Sonification and Visualisation | Foyer and Galleries (People’s Palace) and Harold Pinter Theatre (ArtsOne Building) – Chairs: Johan Pauwels and Fabio Morreale | |
| Poster | Examples of use cases with Smart Instruments – Luca Turchet, Michele Benincaso and Carlo Fischione | ||
| Poster | Sound recycling from public databases – Hernán Ordiales and Matias Lennie Bruno | ||
| Poster | Sonic Interaction Design for Paper Wearables – Giorgio Klauer, Annalisa Metus and Pietro Polotti | ||
| Poster | The Data-Driven Algorithmic Composer – Joe Fitzpatrick and Flaithri Neff | ||
| Poster | Towards a Parallel Computing Framework for Direct Sonification of Multivariate Chronological Data – Gordan Kreković and Ivan Vican | ||
| Poster | Mode Explorer: Using Model-based Sonification to Investigate Basins of Attraction – Jiajun Yang and Thomas Hermann | ||
| Demo | FEATUR.UX.AV: A Live Sound Visualization System Using Multitrack Audio – Ireti Olowe, Mick Grierson and Mathieu Barthet | ||
| Demo | ProXoMix, Embodied Interactive Remixing – Norbert Schnell, Benjamin Matuszewski, David Poirier-Quinot and Victor Audouze | ||
| Demo | Chess Music: Ajedrecista Alebraica – John Henry Dale | ||
| Demo | Interacting with a Neural Touch-Screen Ensemble – Charles Martin and Jim Torresen | ||
| Demo | Contextual Sonification of Everyday Activities – Ove Holmqvist, Mark Meddings and Henri David | ||
| 14:40 – 17:40 | Workshops | Workshop 1: PP1 Lecture Theatre (People’s Palace Basement)
Workshop 2: GE27 (Engineering Building) |
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| Workshop 1 | Joint Workshop – Designing Sounds and Generating Music in Pure Data Part 1 – Zero to Hero Pure Data – Andy FarnellPart 2 – Composing Recurrent Neural Topologies as Generative Music Systems – Kosmas Giannoutakis Location: PP1 Lecture Theatre (People’s Palace Basement) |
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| Workshop 2 | Making High-Performance Interactive Audio Systems with Bela and Pure Data – Robert Jack and Giulio Moro Location: GE27 (Engineering Building) |
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| 17.40 – 17.55 | Popular Vote Award Ceremony | Skeel Lecture Theatre (People’s Palace) | |
| 17:55 – 18:10 | Gathering at meeting point to go to music venue | Meeting Point: Outside in front of People’s Palace | |
| 19:30 – 21:45 | Audio Mostly Concert | Oxford House Theatre, Derbyshire St, Bethnal Green, London E2 6HG [map] | |
| Transmusicking I – Magdalena Chudy, Nela Brown, Maria Papadomanolaki, Sonia Wilkie, Ariane Stolfi, Tuna Pase, Franziska Schroeder, Anna Xambó, Léa Ikkache, Jason Freeman, Somesh Ganesh, Agneya Kerure, Jyoti Narang and Shijie Wang | |||
| The wood and the water – Balandino Di Donato and Eleanor Turner | |||
| The Gift of the Algorithm: Beyond Autonomy and Control – Alan Chamberlain and David De Roure | |||
| Interval | |||
| “Climb!” A Virtuoso Piece and Musical Game for Disklavier – Maria Kallionpää, Chris Greenhalgh, Adrian Hazzard, David M. Weigl and Kevin R. Page | |||
| GrainField – Benjamin Matuszewski and Norbert Schnell | |||
| Saturday 26 August 2017 | |||
| 09:00 – 10:00 | Workshops Registration and Refreshments | IIP Workshop: Foyer (ArtsOne Building)
DSiC Workshop: GE27 (Engineering Building) |
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| 10:00 – 18:00 | Workshops | ||
| 10:00 – 11:30 | IIP Workshop | Interaction, Instruments and Performance: HCI and the Design of Future Music Technologies – Alan Chamberlain, Xenia Pestova, Mads Bodker, Maria Kalionpaa and David De Roure Location: Harold Pinter Theatre (ArtsOne Building) |
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| 10:00 – 11:30 | DSiC Workshop | Designing Sounds In The Cloud – Visda Goudarzi, Mathieu Barthet, Miguel Ceriani, Johan Pauwels, György Fazekas, Francisco Bernardo, Rebecca Fiebrink, Michael Zbyszynski, Chunghsin Yeh and Yotam Afik Location: GE27 (Engineering Building) |
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| 11:30 – 11:50 | Coffee Break | IIP Workshop: Foyer (ArtsOne Building)
DSiC Workshop: GE27 (Engineering Building) |
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| 11:50 – 13:00 | Workshops Continue | ||
| 13:00 – 14:00 | Lunch break | IIP and DSiC Workshops: Foyer (ArtsOne Building) | |
| 14:00 -18:30 | IIP Workshop | Interaction, Instruments and Performance: HCI and the Design of Future Music Technologies – Alan Chamberlain, Xenia Pestova, Mads Bodker, Maria Kalionpaa and David De Roure Location: Harold Pinter Theatre, ArtOne Building |
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| 14:00 -18:30 | DSiC Workshop | Designing Sounds In The Cloud – Visda Goudarzi, Mathieu Barthet, Miguel Ceriani, Johan Pauwels, György Fazekas, Francisco Bernardo, Rebecca Fiebrink, Michael Zbyszynski, Chunghsin Yeh and Yotam Afik Location: GE27, Engineering Building |
April Fools Day is coming. Prank your friends opening a never ending fake update screen on their computer. Sit back and watch their reaction.
