Schedule
Day 1: September 1st 2021
| 09:30 – 09:45 | Welcome by organizers | 
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| Session: Design, Perception & User Experience Session chair: Fabio Morreale | |
| 09:45 – 10:00 | Feng Su and Chris Joslin. Subjective and Objective Evaluation of Procedurally-Generated Audio for Soft-Body Interactions. | 
| 10:00 – 10:15 | Tal Boger, Ishwarya Ananthabhotla and Joseph Paradiso. Manipulating Causal Uncertainty in Sound Objects. | 
| 10:15 – 10:30 | Vincent van Rheden, Eric Harbour, Thomas Finkenzeller, Lisa Anneke Burr, Alexander Meschtscherjakov and Manfred Tscheligi. Run, Beep, Breathe: Exploring the Effects on Adherence and User Experience of 5 Breathing Instruction Sounds while Running. | 
| 10:30 – 10:45 | Fermin Chavez Sanchez, Gloria Angelica Martinez de La Peña, Gloria Adriana Mendoza Franco and Erick Iroel Heredia Carrillo. Exploring Audio Game design with Visually Impaired players. | 
| 10:45 – 11:00 | Josefine Hölling, Maria Svahn and Sandra Pauletto. Audio-Visual Interactive Art: Investigating the effect of gaze-controlled audio on visual attention and short-term memory. | 
| 11:00 – 11:15 | Glenn McGarry, Alan Chamberlain, Andy Crabtree and Christopher Greehalgh. The Meaning in "the Mix": Using Ethnography to Inform the Design of Intelligent Tools in the Context of Music Production. | 
| Pause (15 minutes) | |
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| Session: Sonification & Musification Session chair: Sara Lenzi | |
| 11:30 – 11:45 | Anne Despond, Nicolas Reeves and Vincent Cusson. Atmosphéries and the poetics of the in situ: the role and impact of sensors in data-to-sound transposition installations. | 
| 11:45 – 12:00 | Niklas Rönnberg. Sonification for Conveying Data and Emotion. | 
| 12:00 – 12:15 | Kajetan Enge, Alexander Rind, Michael Iber, Robert Höldrich and Wolfgang Aigner. It’s about Time: Adopting Theoretical Constructs from Visualization for Sonification. | 
| 12:15 – 12:30 | Michael Quinton, Iain McGregor and David Benyon. Sonification of Planetary Orbits in Asteroid Belts. | 
| 12:30 – 12:45 | Konstantinos Bakogiannis, Areti Andreopoulou and Anastasia Georgaki. The development of a dance-musification model with the use of machine learning techniques under COVID-19 restrictions. | 
| 12:45 – 12:55 | Francesco Dal Rì and Raul Masu. Zugzwang: Chess Representation Combining Sonification and Interactive Performance. | 
| Pause (1 hour and 35 minutes) | |
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| 14:30 – 15:30 | Keynote: Bob Sturm: “Music at the Frontiers of Artificial Creativity and Criticism” | 
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| Session: Musical XR and Audio-visual Interaction Session chair: Anıl Çamcı | |
| 15:30 – 15:45 | Liang Men and Danqi Zhao. Designing Privacy for Collaborative Music Making in Virtual Reality. | 
| 15:45 – 16:00 | Lars Engeln, Nhat Long Le, Matthew McGinity and Rainer Groh. Similarity Analysis of Visual Sketch-based Search for Sounds. | 
| 16:00 – 16:15 | Raul Masu, Nuno N. Correia and Teresa Romão Technology-Mediated. Musical Connections: The Ecology of a Screen-Score Performance. | 
| 16:15 – 16:25 | Oliver Bramah, Xiaoling Cheng and Fabio Morreale. The Singing Gallery. | 
| 16:25 – 16:35 | Duncan Williams, Ian Daly and Paola Di Giuseppantonio Di Franco. Neuro-curation: A case study on the use of sonic enhancement of virtual museum exhibits. | 
| 16:35 – 16:45 | Lauren McCall and Jason Freeman. A 3D Graphic Score Space and the Creative Techniques and Performance Practices that Emerge From it. | 
| 16:45 – 16:50 | Gamar Azuaje, Kongmeng Liew, Elena Epure, Shuntaro Yada, Shoko Wakamiya and Eiji Aramaki. Visualyre: Multimodal visualization of lyrics. | 
| 16:50 – 16:55 | Jonathan Weinel. Synaesthetic Audio-Visual Sound Toys in Virtual Reality. | 
| Pause (5 minutes) | |
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| 17:00 – 19:00 | Workshop: Adam Pultz Melbye, John Sullivan, Raul Masu and Alexander Refsum Jensenius: NIME Eco Wiki - a crash course. A collective tool to foster environmental awareness in Music Technology Design. | 
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| Session: Music | |
| 19:00 – 19:05 | Karl Gerber. Approaches: For Flute, Alto Flute and Experimental Interactive Violin Automaton. | 
| 19:05 – 19:10 | Charles Nichols, Zach Duer and Scotty Hardwig. Time Garden: dawn replica. | 
| 19:10 – 19:15 | Raul Masu, Francesco Ardan Dal Ri and Francesca Zanghellini. Studio 2. | 
| 19:15 – 19:20 | Gareth W. Young. Singing Trees | Jurisdiction & Contradiction. | 
| 19:20 – 19:25 | Paul Paroczai. Generative Music in the Web Audio API. | 
| 19:25 – 19:30 | Rafael Bresciani. Vox Aeterna - The COVID Variations. https://www.dropbox.com/s/hf1aglqmxqe2l1p/UK_FINAL_v5.mp4?dl=0 | 
Day 2: September 2nd 2021
| International Workshop on the Internet of Sounds Session: Internet of Audio Things Session chair: Mathieu Lagrange | |
| 09:30 – 09:45 | Michael Iber, Bernhard Dumphart, Victor-Adriel de Jesus Oliveira, Stefan Ferstl, Joschua M. Reis, Djordje Slijepčević, Mario Heller, Anna-Maria Raberger and Brian Horsak. Mind the Steps: Towards Auditory Feedback in Tele-Rehabilitation Based on Automated Gait Classification. | 
| 09:45 – 10:00 | Florian Hollerweger. Streaaam: A fully automated experimental audio streaming server. | 
| 10:00 – 10:15 | Maksim Kukushkin and Stavros Ntalampiras. Automatic acoustic classification of feline sex. | 
| 10:15 – 10:30 | Vincent Lostanlen, Antoine Bernabeu, Jean-Luc Béchennec, Mikaël Briday, Sébastien Faucou and Mathieu Lagrange. Energy Efficiency is Not Enough: Towards a Batteryless Internet of Sounds. | 
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| International Workshop on the Internet of Sounds Session: Internet of Musical Things Session chair: Cristina Rottondi | |
| 10:30 – 10:45 | Rory Hoy and Doug Van Nort. A Technological and Methodological Ecosystem for Dynamic Virtual Acoustics in Telematic Performance Contexts. | 
| 10:45 – 11:00 | Rômulo Vieira and Flávio Schiavoni. Sunflower: an environment for standardized communication of IoMusT. | 
| 11:00 – 11:15 | Frederic Font. SOURCE: a Freesound Community Music Sampler. | 
| 11:15 – 11:25 | Seth Thorn. Telematic Wearable Music: Remote Ensembles and Inclusive Embodied Education. | 
| 11:25 – 11:35 | Ian Clester and Jason Freeman. Composing the Network with Streams. | 
| 11:35 – 11:45 | Chad Bullard, Ananya Kansal and Jason Freeman. Comparing Chat Methods for Remote Collaborative Live-Coding Music. | 
| 11:45 – 11:55 | Wei Zhao. Ubiquitous Music-Making: A Critical Review. | 
| Pause (5 minutes) | |
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| 12:00 – 13:00 | Keynote: Paola Cesari: “Sound in action” | 
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| Pause (1 hour and 30 minutes) | |
| 14:30 – 18:30 | Workshop: Florent Berthaut, Anıl Çamcı and Çağan Arslan. Designing XR Musical Instruments. | 
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| Session: Music | |
| 18:30 – 18:35 | Turkar Gasimzada and Fidan Aghayeva-Edler. Four Rubais For Fidan. | 
| 18:35 – 18:40 | Michael Trommer. Ancient Thoughts and Electric Buildings. | 
| 18:40 – 18:45 | Stephen Roddy. Signal to Noise Loops V4. | 
| 18:45 – 18:50 | Federico Visi, Mattias Petersson, Robert Ek and Stefan Östersjö. The Global Hyperorgan: The TCP/Indeterminate Place Quartet performs with geographically far networked pipe organs. | 
| 18:50 – 18:55 | Se-Lien Chuang and Andreas Weixler. Nagoya City Sonic Culture. | 
| 18:55 – 19:00 | Domenico De Simone. HYPNOS. | 
Day 3: September 3rd 2021
| Session: Digital Audio Effects & AI for Sound Session chair: Leonardo Gabrielli | |
| 09:30 – 09:45 | Thomas Hermann and Dennis Reinsch. sc3nb - a Python-SuperCollider Interface for Auditory Data Science. | 
| 09:45 – 10:00 | Ruben Schlagowski, Silvan Mertes and Elisabeth André. Taming the Chaos: Exploring Graphical Input Vector Manipulation User Interfaces for GANs in a Musical Context. | 
| 10:00 – 10:15 | Niccolò Pretto, Nadir Dalla Pozza, Alberto Padoan, Anthony Chmiel, Kurt James Werner, Alessandra Micalizzi, Emery Schubert, Antonio Rodà, Simone Milani and Sergio Canazza. A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes. | 
| 10:15 – 10:30 | Marcelo Wanderley, Travis West, Josh Rohs, Eduardo Meneses and Christian Frisson. The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. | 
| 10:30 – 10:40 | Gordan Kreković. A Concept of a Wavetable Oscillator Based on a Neural Autoencoder. | 
| 10:40 – 10:50 | Patrice Guyot, Fanny Alix, Thomas Guerin, Elie Lambeaux and Alexis Rotureau. Fish migration monitoring from audio detection with CNNs. | 
| Pause (10 minutes) | |
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| Session: NIME & Musical Structure Session chair: Victor Zappi | |
| 11:00 – 11:15 | Gonçalo Bernardo and Gilberto Bernardes. Leveraging Compatibility and Diversity in Computational Music Mashup Creation. | 
| 11:15 – 11:30 | Adan L. Benito Temprano and Andrew McPherson. A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric Guitar. | 
| 11:30 – 11:40 | Filippo Carnovalini, Antonio Rodà, Nicholas Harley, Steven T. Homer and Geraint A. Wiggins. A New Corpus for Computational Music Research and A Novel Method for Musical Structure Analysis. | 
| 11:40 – 11:50 | Paul Cambourian, Oscar Gal, Arthur Pate, Simon Benacchio and Jérôme Vasseur. Understanding the vibrotactile feedback of the electric guitar: Methodology for a physical and perceptual study. | 
| 11:50 – 12:00 | Cláudio Lemos, Diogo Cocharro and Gilberto Bernardes. Understanding Cross-Genre Rhythmic Audio Compatibility: A Computational Approach. | 
| 12:00 – 12:10 | Giorgio Presti, Daniele Adriano, Federico Avanzini, Adriano Baratè and Luca Andrea Ludovico. PhonHarp: A Hybrid Digital-Physical Musical Instrument for Mobile Phones Exploiting the Vocal Tract. | 
| 12:10 – 12:20 | Nicola Davanzo and Federico Avanzini. Resin: a Vocal Tract Resonances and Head Based Accessible Digital Musical Instrument. | 
| Pause (10 minutes) | |
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| 12:30 – 13:30 | Keynote: Marianna Obrist: “Multisensory Experiences: Beyond Audio-Visual Interfaces” | 
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| Pause (1 hour) | |
| 14:30 – 17:30 | Workshop: Wolfgang Aigner, Kajetan Enge, Michael Iber, Alexander Rind, Niklas Elmqvist, Robert Höldrich, Niklas Rönnberg and Bruce Walker. Workshop on Audio-Visual Analytics – Identifying Research Gaps for Integrating Sonification and Visualization. | 
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| Session: Music | |
| 17:30 – 17:35 | Andreas Weixler and Se-Lien Chuang. Flaming tears. | 
| 17:35 – 17:40 | Seth Shafer, Bradley Robin and Sarah Hamilton. TeleFAUXcus. | 
| 17:40 – 17:45 | Alon Ilsar and Matt Hughes. AirStream 2. | 
| 17:45 – 17:50 | Giovanni Sparano, Giorgio Klauer, Luca Richelli, Julian Scordato and Paolo Zavagna. John Cage - Variations II. | 
| 17:50 – 17:55 | Chi Wang. Kinesthetic Modes of Enunciation. | 
| Pause (5 minutes) | |
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| 18:00 – 18:30 | Awards and closing ceremony | 


 
  
 


