Congratulations to the Best Paper Award Winners of AM'20:
Standstill to the ‘beat’: Differences in involuntary movement responses to simple and complex rhythms, Agata Zelechowska, Victor Gonzalez Sanchez, Alexander Refsum Jensenius
Surround Sound Spreads Visual Attentiin and Increases Cognitive Effort in Immersive Media Productions, Catarina Mendonca and Victoria Korshunova
Nominees were:
Don't Extend! Reduce! The Sound Approach to Reality, Mads Walther-Hansen and Mark Grimshaw-Aagaard
Surround Sound Spreads Visual Attentiin and Increases Cognitive Effort in Immersive Media Productions, Catarina Mendonca and Victoria Korshunova
Deepening the Presence: Probing the hidden artefacts of everyday soundscapes, Natasha Barrett
Designing Interactive Sonic Artefacts for Dance Performance: an Ecological Approach, Raul Masu, Nuno Correia, Stephan Jürgen, Jochen Feitsch, Teresa Romao
Directional Enhancement of First-Order Ambisonic Room Impulse Responses By The 2+2 Directional Signal Estimator, Lukas Gölles, Franz Zotter
Acoustic Modelling as a Strategy for Composing Site-Specific Music, Ludvig Eblaus and Gerhard Eckel
An Auditory Intefface for Realtime Brainwave Similarity in Dyads, R. Michael Winters and Stephanie Koziej
Capturing Kinetic Wave Demonstrations for Sound Control, John Granzow, Matias Vilaplana, Anil Camci
Breaking the workflow: Design Heuristics to Support the Development of Usable Digital Audio Production Tools, Sean McGrath
Standstill to the ‘beat’: Differences in involuntary movement responses to simple and complex rhythms, Agata Zelechowska, Victor Gonzalez Sanchez, Alexander Refsum Jensenius
